![]() The series has received support from the Lapland Film Commission, which is run from the House of Lapland, and which provided both location assistance and its 25% cash rebate on productions costs. Milla Bruneau and Moritz Polter are executive-producing. The audience will feel the desolation, the blistering wind, the taste of blood and the cold but also, the love, warmth and commitment created by our strong main characters.”Īrctic Circle is the first co-production between Finland’s Yellow Film & TV, the largest indie production company in the Nordic countries, and Germany’s Bavaria Fiction GmbH, one of the leading firms in European TV production, which is now opening up to international co-productions. On his approach to the series, Salonen stated: “I want Arctic Circle to be a physical experience. The head writers are Joona Tena ( Nurses, FC Venus ) and Jón Atli Jónasson ( The Deep), and Finnish-born, German-based Hannu Salonen ( Downhill City, Shades of Guilt) is directing. Their efforts will encounter more complications when the multimillionaire CEO of a pharmaceutical company (Schick) gets involved, as he financed Lorenz’s previous work in the field of virology.Ĭreated by Yellow Film & TV CEO Olli Haikka and the company’s head of Drama and International Development, Petja Peltomaa, the crime series is budgeted at €6.5 million and comprises ten 50-minute episodes. They will both get caught up in an unexpected investigation that will force them to act outside the law. Kautsalo will thus seek help from Helsinki-based German virologist Thomas Lorenz (Brückner). ![]() ![]() Everything will escalate when a deadly and mysterious virus is discovered in the victim’s blood. Fabulous shots of skidoos whizzing across the white snow, wild reindeer and howling huskies – it’s a landscape that is visually stunning and lends itself perfectly to thrillers like this.Set amidst the polar landscape of Northern Lapland, Arctic Circle follows police officer Nina Kautsalo (Kuustonen), who, while investigating a serial-murder case, finds a prostitute at death’s door in an old cabin in the wilderness. The icy tundra of Lapland looks beautiful on screen. However, the reason for Thomas’ arrival is shrouded in secrecy as the authorities don’t want to start a panic in the local community – not even the local police know the true reason for his appearance, making his working relationship with Nina and her colleagues a difficult one from the start. The Finns and Russians reach out to an eminent German virologist, Thomas Lorenz (Maximillion Brückner), who flies out to Lapland to work alongside the local police force and set about testing all the people who’ve had a sexually transmitted infection and could potentially be carrying the virus – including Nina’s sister, Marita (Pihla Viitala – who you might recognise from the Netflix show, Deadwind). As a result, the Russian authorities are brought in to work alongside their Finnish counterparts to investigate the crime.īut the real cause for concern comes when tests on the surviving girl reveals a rare and deadly virus in her blood. Further searching by a canine unit unearths a second victim – a dead woman buried beneath the ice.īoth victims are Russian prostitutes who came to over to Finland on the “whore bus” – a term that Nina dislikes. Also in the basement were a selection of women’s clothes of various sizes, suggesting there are other victims. She is in a coma and close to death having suffered serious physical abuse. She and her partner discover a young woman in the basement of a remote property. Initially, we meet Nina Kautsalo (nicely portrayed by Iina Kuustonen), a Finnish police office located in the snowy landscape of Lapland, not far from the Russian border. If you want to avoid spoilers, stop reading this article now.īut we’re getting ahead of ourselves. But before you think this is a Covid cash-in, ‘Arctic Circle’ (‘Ivalo’ in Finnish) actually dates from 2018 – long before words such as lockdown and social distancing came into our regular vocabulary. As if the world hadn’t had enough of global pandemics, this new Finnish/German drama from Walter Presents centres around the discovery of a deadly virus that is transmitted via a specific variation of the herpes gene.
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